Posts Tagged ‘Future Bass’

Distance, Jack Sparrow, and Moldy at BASSIC (Together 2013)

Monday, May 20th, 2013

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EC ARMY, MONSTAMIND, PEACEVIBE, RF EVENTS & MADE IN BOSTON PRESENT: PRESSURE SESSIONS

Friday, May 17th, 2013
Pressure Sessions 6/1/2013

[ June 1, 2013 10:00 pm to June 2, 2013 2:00 am. ]

SELECTOR MOLDY (HEAVYPRESSURE BOSTON / TUBA NYC)
JSB + VALDEE (TRUECREW / MONSTAMIND BOSTON / MADE MA$$ / M.A.D.E. / Beatdown / Ravers Only)
First time ever ’5 DEADLY JUNGLISTS’ set featuring:
FES + MIZTAH LEX + MIZEYESIS + RUBIX + SUBREAPER
(EC, MONSTAMIND, MIA-DNB, THRESHOLD, TRUE, LTD, 413DNB, ECU, DUBCHAMBER RECS, VITALSIGNZ, DNBTV, JUNGLETRAIN, HHP, FBR, TOB, WU DJ COALITION, PURE FILTH, C & E RECS)

Braza Bar & Grill
158 School St, Everett, Massachusetts 02148

BASSIC w/ MALA (DMZ, Deep Medi) & DAMIAN SILVA (Bassic)

Thursday, May 16th, 2013
MALA and DAMIAN SILVA at BASSIC

[ May 22, 2013 10:00 pm to May 23, 2013 2:00 am. ]

MALA (DMZ, Deep Medi) London, UK
DAMIAN SILVA (Bassic) Boston, MA

Good Life Bar
28 Kingston Street
Boston, MA
21+
$10

TUBA NYC on RWD.FM Hosted by Bakir feat. Juss B Guest Mix – May 15th, 2013 FREE DOWNLOAD

Monday, May 13th, 2013

Tracklisting after the jump…

Contact @ Electric Brixton – Youngsta & SP:MC Intro

Saturday, May 4th, 2013

BASSIC w/ DISTANCE & JACK SPARROW, Moldy & Dabu (TOGETHER EDITION)

Friday, April 19th, 2013
Distance and Jack Sparrow at BASSIC

[ May 17, 2013 9:00 pm to May 18, 2013 2:00 am. ]

BASSIC Presents
DISTANCE (Chestplate, Get Darker, Tectonic) London UK
JACK SPARROW (Deep Medi, Tectonic) UK
Moldy (Embassy, TUBA, BASSIC) Boston
Dabu (Boston)

GoodLife Bar
28 Kingston Street
Boston, MA
21+ | $5 B4 11 $10 after for flights & fees

Too Slow Mix (SXSW 2013)

Friday, April 5th, 2013

RBQMA: Skream

Sunday, March 24th, 2013
skream-rbqma-title

Skream and dubstep: the two words are practically inextricable. Or at least they were. As a teenager, the Croydon-raised Oliver Jones was instrumental in taking a sparse, forbidding musical form and turning it into a world-beating behemoth. Tracks like “Midnight Request Line” showed that dubstep could do hummable melodies just as easily as urban paranoia. Jones’ career has since gone stratospheric. In 2010 and 2011 he had chart success as part of Magnetic Man, a trio with fellow Croydonites Benga and Artwork. Last year he produced tracks for Kelis and Miles Kane and landed a weekly Radio 1 slot.

As a figurehead of contemporary British dance music, then, it’s perhaps appropriate that Jones is about to leave dubstep behind. There’s no doubting that UK electronic music is experiencing a boom-time, but the poster boys of the new generation – Disclosure et al. – are increasingly of a house persuasion. It’s a development Jones has been following with keen interest, showcasing an increasing amount of house and techno in his sets over the past year.

With his contribution to Pete Tong’s mix series for Defected out this month, it seems the transformation is complete. The mix is a bold, colourful trip through sunny disco and more aggressive UK sounds, spanning from Dusky and Midland to Justin Martin and Duke Dumont. RBMA caught up with Skream shortly after a triumphant “classics set” at dubstep institution DMZ to find out why such sets will soon be a rarity and discuss the inspiration behind his new mix.

Full story at Red Bull Music Academy

Local producer Moldy digs for the roots of a misunderstood sound

Friday, March 15th, 2013
Moldy - Photo: Matthew J. Lee/Globe Staff

There’s a vocal sample laid over the recent track “Too Slow” by Boston dubstep producer Moldy that essentially lays out his overarching musical thesis: “People like you, I think, are starting to realize there’s too much speed in the system,” a voice intones over the clipping percussion, languorous rhythm, and minimal sound architecture. “There’s too much busyness and it’s time to find, or get back to, that lost art of slower rhythms,” it says, just before the deep bass pulse comes in. It’s a much different style of dubstep than how the genre has come to be understood, and Moldy is trying to dial things back…

Full story at The Boston Globe

BASSIC w/ V.I.V.E.K. (Deep Medi, SYSTEM MUSIC) UK

Wednesday, March 13th, 2013
V.I.V.E.K & Moldy @ BASSIC Boston, 4.12.13

V.I.V.E.K. (Deep Medi, SYSTEM MUSIC) UK
Moldy (Heavy Pressure, Embassy, Tuba, BASSIC) Boston

Good Life Bar
28 Kingston Street
Boston, MA
21+
$5 B4 11pm

6 for inspiration…

Thursday, March 7th, 2013

Om Unit x Sam Binga – Small Victories EP (Exit Records) March 2013

Dexplicit – That Bass Life EP (Preview) // Out Feb 28th

Addison Groove – I Go Boom – Taal Mala rework

Roska – Asbestos

Hackman & Klic (aka Medlar) – Do Right (FREE 320 DL)

DJ Rashad – Rollin Preview Released 18.03.2013

“We just called it techno”: Mike Paradinas and Lara Rix-Martin on Heterotic, the early days of µ-Ziq and the ascent of Planet Mu

Thursday, March 7th, 2013
Mike Paradinas and Lara Rix-Martin

Mike Paradinas isn’t quite a household name. But as far as his impact on the electronic music world goes he is the equal of almost any other DJ or producer you’d care to mention.

As a teenager in the early 90s, operating under the µ-Ziq alias, Paradinas joined the likes of Autechre and the Aphex Twin in pioneering the leftfield takes on techno, UK hardcore and jungle that would come to be called IDM. Across two LPs for the Rephlex label, Paradinas’ productions put a distinctive spin on the burgeoning form, their busy arrangements and bold, often warm melodics establishing a yin to the icy yang of Autechre’s Amber.

Later in the decade, after a brief dalliance with Virgin records (challenging electronic music was hot dollar back then), Paradinas launched his own imprint, Planet Mu. Initially serving as an outlet for the IDM scene and its offspring, the label has since undergone a series of radical overhauls, consistently wrong-footing its detractors and cementing its position at the forefront of all things electronic. In the mid-2000s the label served as an essential platform for dubstep’s launch into the mainstream; in recent years it has become renowned for championing Chicago footwork, helping to plant a previously obscure music firmly in the global musical consciousness.

Full story at FACT